A
Listener’s Companion
David Malvinni’s
Experiencing the Rolling Stones: A Listener’s Companion looks at the Stones’
music from the inside out. Throughout Malvinni places individual songs
and entire albums within the transformative era of the ‘60s, focusing on
how The Rolling Stones integrated
African-American R &B, blues, and rock and roll into a uniquely British style. Vignettes attempt to describe what it was like to hear the Stones’
music at the time of its release thread their way through as Malvinni
goes beyond the usual stories around their
significant songs. Tracing the distinctive sound that run through their
catalogue, from chord progressions and open guitar tunings, to
polyrhythmic Afro-Caribbean beats, to their timbral innovations using
non-traditional instruments, he shows how the Stones
retain their identity through the decades.
Experiencing The Rolling Stones
also draws together a broad
swath of post-war Atlantic history as it covers their origins in
Swinging London, their interest in the Beat generation of artists, the
powerful attraction of Morocco on their lives and music,
the infamous drug busts that nearly destroyed the band, the female
muses who inspired them, the disaster Altamont and its aftermath, their
flight from England as tax exiles, and the recording sessions outside of
England.
Highlights
- Closely examines Keith Richards’ guitar work – from his use of an open-G tuning to 5-string guitars.
- Chronicles the band’s long history and change in personal, such as the addition of guitarists Mick Taylor and Ron Wood.
- Focuses on the band’s greatest records, including Beggars Banquet, Let it Bleed, Sticky Fingers, and Exile on Main Street, while also discussing their early work and the output in the decades since their peak.
- Pre-order here: www.rowman.comApril 2016 v 286 pages v 978-0-8108-8919-4v $38.00 ClothApril 2016 v 286 pages v 978-0-8108-8920-0v $37.99 eBook
David Malvinni, musicologist and classical guitarist, is adjunct professor of music and African American studies
at Santa Barbara City College and author of The Gypsy Caravan: From Real Roma to Imaginary Gypsies in Western Music and Film, and
Grateful Dead and the Art of Rock Improvisation.
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