Chuck Berry's "The Great Twenty-Eight Super Deluxe Edition" Vinyl Box Set Out Today Ahead of GRAMMY Tribute Performance

In the firmament of rock 'n' roll's first-generation creators, no artist looms larger than Chuck Berry. In a consistently innovative recording career that spanned more than 60 years, the iconic singer-songwriter-guitarist, who passed away on March 18, 2017, laid much of the groundwork for modern rock 'n' roll, while creating some of rock's most distinctive and enduring anthems, from “Johnny B. Goode” to “Roll Over Beethoven,” “Rock and Roll Music” to “Reelin and Rockin’,” and many more.



Geffen/UMe are paying tribute to the immortal spirit of Chuck Berry with the ultimate vinyl version of his landmark greatest hits compilation, The Great Twenty-Eight, with The Great Twenty-Eight: Super Deluxe Edition.

Available today, the five-disc vinyl box set housed in a textured box, complements the original two-LP, 28-song compilation with an additional LP, More Great Chuck Berry, containing 14 more hits, rarities and B-sides missing from the original, as well as a rare live album, Oh Yeah! Live in Detroit, available on vinyl for the first time. The collection also include a newly created bonus ten-inch EP Berry Christmas, featuring four holiday-themed classics on "Rudolph-Red" vinyl, with one song on vinyl for the first time as well. A limited edition version on “Chess Blue” vinyl, limited to 500 copies, is available exclusively via UDiscoverMusic.com. Order The Great Twenty-Eight: Super Deluxe Edition now: https://lnk.to/Great28SDE



Berry's recordings for Chicago's seminal Chess label have been extensively anthologized in the CD era. But for many Berry devotees, the two-LP vinyl collection The Great Twenty-Eight remains both a sentimental favorite and a definitive document of Berry's musical genius. It's no wonder that The Great Twenty-Eight was ranked number 21 on Rolling Stone's "500 Greatest Albums of All Time," the highest-ranking hits compilation on that list. For those interested in the original 28-track edition of The Great Twenty-Eight, it is now back in print in its original two-LP format for the first time since its initial release in 1982. Order The Great Twenty-Eight here: https://UMe.lnk.to/Great282LP



The Great Twenty-Eight: Super Deluxe Edition also includes a handsome 12" x 12" book featuring a special introductory essay by Keith Richards, a new essay by best-selling author and SiriusXM host Alan Light, complementing Michael Lydon's liner notes from the original version of The Great Twenty-Eight, and reminiscences from DJ Lee Alan, plus complete U.S. single, album and EP discographies. The text is enhanced by reproductions of Berry's original LP cover art and rarely-seen photographs.



As Light writes, "When The Great Twenty-Eight was released in 1982, it was immediately recognized as one of the essential albums in rock 'n' roll history... Enter this edition of The Great Twenty-Eight, with thirty more Chuck Berry recordings—the Great Fifty-Eight, as it were—fleshing out the story of rock 'n' roll's poet laureate while also demonstrating, through the addition of a riveting live album from 1963, his power as a stage performer...  The opportunity to spotlight additional facets of his music is the greatest contribution to his history that this collection offers."



A survey of Berry's first decade of recording on Chess, the original The Great Twenty-Eight contains 21 singles along with six of their b-sides and one album track from Chuck Berry in London. Of those singles, eleven were top ten hits on the Billboard R&B singles chart and ten were Top 40 hits on the Billboard Hot 100. During his Chess years, Berry created a massive—and massively influential—body of work that includes countless beloved classics, from "Maybellene" to "Roll Over Beethoven" to "Johnny B. Goode" to "Memphis, Tennessee" and beyond. Indeed, Berry's music is so deeply ingrained into our culture that NASA launched "Johnny B. Goode" into outer space on the Voyager spacecraft as a representation of the sounds of the human race for the benefit of our cosmic neighbors. All of these songs are included on The Great Twenty-Eight, which also includes the ubiquitous hits "Rock and Roll Music," "Sweet Little Sixteen" and "No Particular Place To Go" and many others that have become part of the collective consciousness.



More Great Chuck Berry comprises 14 classic Berry tunes not included on The Great Twenty-Eight, including the sultry, simmering number "Wee Wee Hours," the original flip side of "Maybellene"; "My Ding-A-Ling," Berry's only No. 1 pop single; "Too Pooped To Pop (Casey)," the top 20 R&B A-side of "Let It Rock"; the Top 10 R&B hit "No Money Down"; the celebratory "Promised Land"; and the rollicking "You Never Can Tell," which earned cinematic immortality as the accompaniment to John Travolta and Uma Thurman's twist in the film Pulp Fiction.



Oh Yeah!: Live In Detroit is a thrilling, rare concert performance from October 1963, celebrating Berry’s return to the stage after a break from performing. With support from local DJ and TV host Lee Alan, Berry, backed by Motown's Funk Brothers rhythm section and horn players, recorded the live album during a series of performances at Detroit's Walled Lake Casino.



Returning to the spotlight after a year-and-a-half brought out an energy and intensity in Berry that can be heard clearly in this historic 12-song set, which launches with "Guitar Boogie" and includes "Let It Rock, "Too Much Monkey Business (available for the first time in the U.S.)," "Johnny B. Goode," Sweet Little Sixteen" and a lengthy, edge-of-chaos medley, as Berry feeds off an audience that sings along with nearly every track. Throughout the show, Berry tells jokes that slyly address racial tensions. But the record was scrapped at the time and has been previously only available as part of a limited-edition CD set; this marks its first time on vinyl, and as any kind of standalone release.



The bonus EP Berry Christmas collects together four Christmas classics on "Rudolph-Red" vinyl. The 10-inch disc features Berry's chestnuts, "Run Rudolph Run" and "Merry Christmas Baby" along with "Christmas" and "Spending Christmas," the latter making its vinyl debut as it was previously available only in a limited-edition CD box set.



Bob Dylan once called Berry "the Shakespeare of rock 'n' roll." John Lennon stated, "If you tried to give rock 'n' roll another name, you might call it 'Chuck Berry.'" As Keith Richards writes in the booklet intro, "Chuck Berry is the gentleman who started it all.”



And if those testimonials aren't convincing enough, one listen to The Great Twenty-Eight: Super Deluxe Edition will make the case for Chuck Berry's singular, timeless rock 'n' roll brilliance.



LP 1 & 2: The Great Twenty-Eight

The original classic 2-LP compilation



Side 1

1. Maybellene

2. Thirty Days (To Come Back Home)

3. You Can't Catch Me

4. Too Much Monkey Business

5. Brown-Eyed Handsome Man

6. Roll Over Beethoven

7. Havana Moon



Side 2

1. School Day (Ring! Ring! Goes The Bell)

2. Rock And Roll Music

3. Oh Baby Doll

4. Reelin' And Rockin'

5. Sweet Little Sixteen

6. Johnny B. Goode

7. Around And Around



Side 3

1. Carol

2. Beautiful Delilah

3. Memphis, Tennessee

4. Sweet Little Rock And Roller

5. Little Queenie

6. Almost Grown

7. Back In The U.S.A.



Side 4

1. Let It Rock

2. Bye Bye Johnny

3. I'm Talking About You

4. Come On

5. Nadine (Is It You?)

6. No Particular Place To Go

7. I Want To Be Your Driver



LP 3: More Great Chuck Berry



Side 1

1. Wee Wee Hours

2. No Money Down

3. Drifting Heart

4. La Jaunda (Español)

5. Blue Feeling

6. Vacation Time

7. Joe Joe Gun



Side 2

1. Too Pooped To Pop "Casey"

2. Our Little Rendezvous

3. You Never Can Tell

4. Promised Land

5. Little Marie

6. Dear Dad

7. My Ding-A-Ling (live single version)



LP 4: Oh Yeah! Live In Detroit

Recorded at the Walled Lake Casino, October 25 & 26, 1963

First time on vinyl

*First U.S. release



Side 1

1. Guitar Boogie

2. Let It Rock

3. Almost Grown

4. Chuck Berry Dialogue 1

5. Too Much Monkey Business*

6. Johnny B. Goode

7. Introduction / Instrumental

8. Sweet Little Sixteen



Side 2

1. Wee Wee Hours

2. Chuck Berry Dialogue 2

3. Maybellene

4. Medley: Goodnite Sweetheart Goodnite/Johnny B. Goode/Let It Rock/School Day



Bonus: Berry Christmas EP



Side 1

1. Run Rudolph Run

2. Merry Christmas Baby



Side 2

1. Spending Christmas (first time on vinyl)

2. Christmas

Velvet Underground's 50-Year Legacy Celebrated With Career-Spanning Vinyl Box Set Featuring Lost "1969" Album

VELVET UNDERGROUND’S 50th ANNIVERSARY CELEBRATED WITH CAREER-SPANNING VINYL BOX SET
 
THE VELVET UNDEGROUND INCLUDES DEFINITIVE STEREO EDITIONS OF SIX CLASSIC ALBUMS INCLUDING ALL FOUR STUDIO RECORDS, THE “LOST” 1969 ALBUM AND NICO’S DEBUT LP

To celebrate the Velvet Underground’s 50th anniversary, Verve Records/UMe is releasing The Velvet Underground, a limited-edition career-spanning box that collects all four of the pioneering band’s studio albums, Velvets collaborator Nico’s debut LP, Chelsea Girl, and a reconstruction of the fabled “lost” 1969 album, making it available on vinyl for the first time. The six albums housed in a special black slipcase will be pressed on 180-gram black vinyl and feature stereo mixes and meticulously reproduced original cover art. The box will also include an exclusive 48-page booklet, featuring vintage photos, lyrics and a new foreword penned by founding member Maureen “Moe” Tucker. Limited to 1000 copies worldwide, the box set, which will be released February 23, is available for pre-order now exclusively at uDiscover:  https://UMe.lnk.to/TVULPBox

Assembled by Grammy-winning reissue producer Bill Levenson, The Velvet Underground incorporates six classic records from the band's vintage heyday including 1967's The Velvet Underground and Nico, their landmark debut, produced by the band's mentor Andy Warhol and includes such Velvets classics as “Sunday Morning,” “I'm Waiting for the Man,” “Venus in Furs” and “Heroin;” Nico's 1967 full-length solo debut Chelsea Girl, featuring songwriting and instrumental contributions from Velvets members Reed, Cale and Morrison as well as a young Jackson Browne; 1968's explosive White Light/White Heat, the group's final album with co-founder Cale; 1969's relatively restrained, introspective The Velvet Underground; and 1970's Loaded, which was the band's commercial breakthrough as well as its final studio album, with such beloved Reed anthems as "Sweet Jane" and "Rock & Roll."

To honor the band’s half a century legacy, Levenson has loving recreated the Velvet Underground’s much-mythologized “lost” album, 1969, specially for this set. Nearly 50 years later, much remains unclear about these mysterious recordings. While there’s been reports that the album was intended to be the band’s fourth record only to be rejected by MGM, it’s also possible they were scrapped by the band or possibly shelved by them for being ahead of its time. Whatever the real story is, these songs, recorded just after their lauded self-titled album, which include many gems like “Foggy Notion,” “Ride Into The Sun,” and “I Can’t Stand It,” help to tell the band’s enigmatic story and shine a light on their creative restlessness and rapid evolution. For this new vinyl recreation, Levenson has assembled the album using 1969 and 2014 mixes. Although these recordings have been previously released, they’ve never been represented on vinyl in this expansive 2LP format. Side four of the second LP is rounded out with bonus tracks recorded in 1968 including “Hey Mr. Rain” and “Stephanie Says.”

The Velvet Underground's gritty, fearless creative vision remains unique and unmatched. Although the band met with little commercial acceptance during its existence, the seminal New York foursome of Lou Reed, John Cale, Sterling Morrison and Maureen Tucker, along with Doug Yule, is now considered one of most important rock and roll bands of all time, laying the groundwork in the ‘60s for punk, alternative, avant-garde, psychedelic rock, post-punk and shoegaze. The Velvets' revolutionary body of work stands as a one of rock's most distinctive catalogs and today their influence looms larger than ever.

The Velvet Underground and Nico (March 1967)

Side One

1. Sunday Morning

2. I’m Waiting For The Man

3. Femme Fatale

4. Venus In Furs

5. Run Run Run

6. All Tomorrow’s Parties

Side Two

1. Heroin

2. There She Goes Again

3. I’ll Be Your Mirror

4. The Black Angel’s Death Song

5. European Son

Nico: Chelsea Girl (October 1967)

Side One

1. The Fairest of the Seasons

2. These Days

3. Little Sister

4. Winter Song

5. It Was A Pleasure Then

Side Two

1. Chelsea Girls

2. I’ll Keep It With Mine

3. Somewhere There’s a Feather

4. Wrap Your Troubles In Dreams

5. Eulogy To Lenny Bruce

White Light/White Heat (January 1968)

Side One

1. White Light/White Heat

2. The Gift

3. Lady Godiva’s Operation

4. There She Comes Now

Side Two

1. I Heard Her Call My Name

2. Sister Ray

The Velvet Underground (March 1969)

Side One

1. Candy Says

2. What Goes On

3. Some Kinda Love

4. Pale Blue Eyes

5. Jesus

Side Two

1. Beginning To See The Light

2. I’m Set Free

3. That’s The Story Of My Life

4. The Murder Mystery

5. After Hours

1969 (recorded May – October 1969)

Side One

1. Foggy Notion (original 1969 mix)

2. One Of The Days (2014 mix)

3. Lisa Says (2014 mix)

4. I’m Sticking With You (original 1969 mix)

5. Andy’s Chest (original 1969 mix)

Side Two

1. I Can’t Stand It (2014 mix)

2. She’s My Best Friend (original 1969 mix)

3. We’re Gonna Have A Real Good Time Together (2014 mix)

4. I’m Gonna Move Right In (original 1969 mix)

5. Ferryboat Bill (original 1969 mix)

Side Three

1. Coney Island Steeplechase (2014 mix)

2. Ocean (original 1969 mix)

3. Rock & Roll (original 1969 mix)

4. Ride Into The Sun (2014 mix)

Side Four – Bonus Tracks

1. Hey Mr. Rain (version one)

2. Guess I’m Falling In Love instrumental version)

3. Temptation Inside Your Heart (original mix)

4. Stephanie Says (original mix)

5. Hey Mr. Rain (version two)

6. Beginning To See The Light (early version)

Loaded (November 1970)

Side One

1. Who Loves The Sun

2. Sweet Jane

3. Rock & Roll

4. Cool It Down

5. New Age

Side Two

1. Head Held High

2. Lonesome Cowboy Bill

3. I Found A Reason

4. Train Round The Bend

5. Oh! Sweet Nuthin’

FRANK ZAPPA’S LEGENDARY HALLOWEEN NYC 1977 RESIDENCY TO BE RELEASED AS MASSIVE HALLOWEEN 77 COSTUME BOX SET

FRANK ZAPPA’S LEGENDARY HALLOWEEN NYC 1977 RESIDENCY TO BE RELEASED AS MASSIVE HALLOWEEN 77 COSTUME BOX SET FEATURING 158 TRACKS ON USB DRIVE IN 24-BIT AUDIO AND RETRO ZAPPA MASK AND COSTUME

AVAILABLE OCTOBER 20 VIA ZAPPA RECORDS/UMe TO CELEBRATE HISTORIC CONCERT RUN’S 40TH ANNIVERSARY

CLASSIC ALBUM ZOOT ALLURES REISSUED ON 180-GRAM VINYL

 

By 1977, Frank Zappa’s Halloween shows were already the stuff of legends. While the shows began in the late ‘60s, around 1972, these monumental performances would become annual events, initially in Passaic, NJ and Chicago, IL before moving to New York City in 1974, where they’d remain.  NYC (and its audience) had become a special place for Zappa and the synchronization of Halloween in NYC proved to be the perfect match. From October 28-31, 1977, Zappa and his band played six historic shows at the 3,000 capacity Palladium. All the performances were recorded with four being filmed, resulting in Zappa’s mammoth film project, “Baby Snakes.”

 

Following the news that Frank Zappa will be going back on tour, the Zappa Family Trust and Universal are proud to announce that Zappa’s legendary Halloween residency of 1977 will be released for the first time in its entirety on October 20 via Zappa Records/UMe just in time for the 40th Anniversary of these shows. The Halloween 77 box set will include all six concerts with 158 tracks (mixed in 2016 from original vault masters) loaded onto a “Zappa’s Oh Punky” fun size candy bar-shaped USB drive in 24-bit WAV audio. The package will also include a 28-page digital booklet featuring never-before-seen photos and liner notes from Vaultmeister Joe Travers, co-producer of the box alongside Ahmet Zappa, and personal firsthand accounts from many of Zappa’s bandmates, crew and fans who were there, including guitarist Adrian Belew, percussionist Ed Mann, keyboard tech Thomas Nordegg, tour manager Phil Kaufman, and fan Janet “The Planet” Walley. In the spirit of Zappa’s favorite season, the specially designed, limited run box will include a retro Halloween mask and costume of the maestro himself. In addition to the box set, a 3CD version will also be available featuring the entire Halloween night show plus select tracks from the October 30th gig.  Fans looking for a specific show will be able to purchase the concert of their choice digitally on release day.

 

Preorder Halloween 77 box set: https://UMe.lnk.to/ZappaHalloweenBoxset

Preorder Halloween 77 3CD: https://UMe.lnk.to/ZappaHalloweenCD

“This box set was a very special experience for me to work on,” said Ahmet Zappa. “I wanted to make sure we honored these legendary shows, so it was important to me that this box set felt of the era. It was a blast working with our partners to create the late ‘70s-inspired Frank Zappa Mask and costume and the candy-shaped USB stick filled with tons of Zappa goodness. It was yet again a labor of love gathering up all the archival materials, reading notes by people who were there, and most importantly making sure the audio was up to par. All of us at Zappa Records are mighty pleased with it, and hope that fans of Frank Zappa and of Halloween will be too.”

 

Originally scheduled for four shows from October 28-31, Zappa added two more shows due to intense popular demand, with the final total tallying six shows in four days. The full residency is presented as it happened with no overdubs or additional tinkering. The audio was remixed from scratch using fresh transfers from the master multi-track tapes, which all had to be heat treated for transfer by Travers.

 

The 1977 lineup of the band featured Terry Bozzio on drums, Tommy Mars and Peter Wolf on keyboards, Adrian Belew on guitar and vocals, Ed Mann on percussion and Patrick O’Hearn on bass; this band could really burn. Over the six shows, the ensemble averaged 25 songs per night with exciting improvisations and audience participation from “New York’s Finest Crazy Persons” at every show, making each uniquely different. At these shows Zappa really got into the spirit with Halloween antics including bringing tech Thomas Nordegg on stage to perform some magic tricks and the band’s tour manager, the “Road Mangler,” Phil Kaufman, performing as the human trombone. Original Mothers’ bassist Roy Estrada also joined the festivities.

 

The songs performed at this musical marathon spanned Zappa’s then 11-year career with tracks from Hot Rats, Over-Nite Sensation, Bongo Fury, One Size Fits All, and his most recent album at the time, Zoot Allures. Many of the songs played were previously unreleased and would go on to be recorded for Zappa’s acclaimed 1979 album, Sheik Yerbouti, including “Flakes,” “Broken Hearts Are For Assholes,” “Jones Crusher,” “Bobby Brown Goes Down,” “City Of Tiny Lites,” “Tryin’ To Grow A Chin,” and “Wild Love.” The October 30th show notably featured the world premiere of the Grammy-nominated Disco satire “Dancin’ Fool,” and the one and only performance of Zappa’s infamous “Jewish Princess.” The basic tracks from this performance were used on Sheik Yerbouti’s controversial studio version which ultimately attracted attention from the Anti-Defamation League who asked the FCC to ban the record from being played on the air.

 

Halloween 77 is not only rife with fan favorites but also includes many rare and unreleased performances and arrangements. This box set includes the first official release of the instrumental version of “Conehead.”  These five versions are vastly different than the song that would be included on Zappa’s 1981 record, You Are What You Is. The rarely played “Läther” was performed at all six shows and immediately followed by the equally rare, “Wild Love,” which became a solo workout each night. This one-two punch was followed by the comedic song “Titties ‘N Beer,” ultimately released on Zappa In New York, made especially memorable each time for the caustic improv dialog Zappa spewed about a then ongoing legal battle with Warner Bros. Other highlights include six extended guitar workouts of “The Torture Never Stops” and the combustible Halloween night finale of “Black Napkins.” 

 

Continuing the Zappa Family Trust and UMe’s Zappa on-going vinyl initiative, Zoot Allures will be reissued on 180-gram vinyl on October 20. Zoot Allures features two of Zappa’s signature guitar pieces, “Black Napkins” & “Zoot Allures.” The album became a fan favorite since its release in 1976. Originally conceived as a double-disc, Zappa re-edited it to a single record after pressure from his record company. This 180-gram reissue was mastered and cut directly from the analog tape master by Bernie Grundman in 2017.

 

Frank Zappa

Halloween 77 (Costume) Box Set

10-28-77 Show 1

1.  10-28-77 Show 1 Start/Introductions  3:28

2.  Peaches En Regalia  2:42

3.  The Torture Never Stops  13:05

4.  Tryin’ To Grow A Chin  3:37

5.  City Of Tiny Lites  6:04

6.  Pound For A Brown  8:05

7.  Bobby Brown Goes Down  4:33

8.  Conehead (Instrumental)  9:19

9.  Flakes  4:03

10. Big Leg Emma  1:47

11. Envelopes  2:29

12. Terry’s Solo #1  4:42

13. Disco Boy  3:53

14. Lather  3:36

15. Wild Love  24:05

16. Titties N Beer  7:16

17. Audience Participation #1  :48

18. The Black Page #2  3:02

19. Jones Crusher  2:48

20. Broken Hearts Are For Assholes  3:52

21. Punky’s Whips  9:43

22. Encore Audience #1  1:21

23. Dinah-Moe Humm  4:55

24. Camarillo Brillo  3:35

25. Muffin Man  4:36

 

10-28-77 Show 2

1.  10-28-77 Show 2 Start/Introductions  3:13

2.  Peaches En Regalia  2:42

3.  The Torture Never Stops  12:33

4.  Tryin’ To Grow A Chin  3:37

5.  City Of Tiny Lites  8:00

6.  Pound For A Brown  9:19

7.  Bobby Brown Goes Down  5:36

8.  Conehead (Instrumental)  9:18

9.  Flakes  4:10

10. Big Leg Emma  1:48

11. Envelopes  2:33

12. Terry’s Solo #2  4:17

13. Disco Boy  3:54

14. Lather  3:42

15. Wild Love  26:01

16. Titties N Beer  7:50

17. Audience Participation #2  2:37

18. The Black Page #2  3:14

19. Jones Crusher  2:58

20. Broken Hearts Are For Assholes  3:54

21. Punky’s Whips  9:51

22. Encore Audience #2  2:13

23. Dinah-Moe Humm  4:01

24. Camarillo Brillo  3:36

25. Muffin Man  6:20

 

10-29-77 Show 1

1.  10-29-77 Show 1 Start/Introductions  4:06

2.  Peaches En Regalia  2:42

3.  The Torture Never Stops  12:59

4.  Tryin’ To Grow A Chin  3:34

5.  City Of Tiny Lites  7:15

6.  Pound For A Brown  8:26

7.  Bobby Brown Goes Down  6:06

8.  Conehead (Instrumental)  5:50

9.  Flakes  3:53

10. Big Leg Emma  1:52

11. Envelopes  2:42

12. Terry’s Solo #3  3:51

13. Disco Boy  3:57

14. Lather  3:40

15. Wild Love  22:51

16. Titties N Beer  6:01

17. Audience Participation #3  2:42

18. The Black Page #2  3:05

19. Jones Crusher  2:53

20. Broken Hearts Are For Assholes  3:50

21. Punky’s Whips  9:18

22. Encore Audience #3  1:46

23. Dinah-Moe Humm  5:12

24. Camarillo Brillo  3:29

25. Muffin Man  5:09

 

10-29-77 Show 2

1.  10-29-77 Show 2 Start/Introductions  4:21

2.  Peaches En Regalia  2:42

3.  The Torture Never Stops  11:30

4.  Tryin’ To Grow A Chin  3:36

5.  City Of Tiny Lites  7:01

6.  Pound For A Brown  9:05

7.  Bobby Brown Goes Down  9:12

8.  Conehead (Instrumental)  6:29

9.  Flakes  3:28

10. Big Leg Emma  1:49

11. Envelopes  2:52

12. Terry’s Solo #4  4:07

13. Disco Boy  3:54

14. Lather  3:56

15. Wild Love  27:33

16. Titties N Beer  8:12

17. Audience Participation #4  5:02

18. The Black Page #2  2:57

19. Jones Crusher  2:49

20. Broken Hearts Are For Assholes  3:48

21. Punky’s Whips  9:36

22. Encore Audience #4  2:23

23. Dinah-Moe Humm  6:19

24. Camarillo Brillo  3:30

25. Muffin Man  6:02

 

10-30-77 Show

1.  10-30-77 Show Start  1:40

2.  Stink-Foot  7:45

3.  The Poodle Lecture  5:10

4.  Dirty Love  2:32

5.  Peaches En Regalia  2:40

6.  The Torture Never Stops  12:53

7.  Tryin’ To Grow A Chin  3:32

8.  City Of Tiny Lites  7:36

9.  Pound For A Brown  10:03

10. I Have Been In You  8:35

11. Dancin’ Fool (World Premiere)  4:50

12. Jewish Princess (Prototype)  4:41

13. King Kong  8:45

14. Terry’s Solo #5  5:07

15. Disco Boy  4:01

16. Envelopes  2:19

17. A Halloween Treat with Thomas Nordegg  6:17

18. Lather  3:47

19. Wild Love  25:19

20. Titties N Beer  7:01

21. Audience Participation #5  8:28

22. The Black Page #2  2:59

23. Jones Crusher  2:53

24. Broken Hearts Are For Assholes  3:52

25. Punky’s Whips  12:36

26. Encore Rap  1:11

27. Dinah-Moe Humm  6:06

28. Camarillo Brillo  3:27

29. Muffin Man  5:18

30. San Ber’dino  6:20

 

10-31-77 Show

1.  Halloween 1977 Show Start/Introductions  3:11

2.  Peaches En Regalia  2:42

3.  The Torture Never Stops  13:54

4.  Tryin’ To Grow A Chin  3:35

5.  City Of Tiny Lites 8:17

6.  Pound For A Brown  13:40

7.  The Demise Of The Imported Rubber Goods Mask  8:33

8.  Bobby Brown Goes Down  3:49

9.  Conehead (Instrumental)  8:21

10. Flakes  3:04

11. Big Leg Emma  1:58

12. Envelopes  2:25

13. Terry’s Halloween Solo  4:38

14. Disco Boy  3:55

15. Lather  3:58

16. Wild Love  30:11

17. Titties ’N’ Beer  7:24

18. Halloween Audience Participation  7:04

19. The Black Page #2  2:55

20. Jones Crusher  2:58

21. Broken Hearts Are For Assholes  3:52

22. Punky’s Whips  11:23

23. Halloween Encore Audience I  2:07

24. Dinah-Moe Humm  6:41

25. Camarillo Brillo  3:24

26. Muffin Man  5:21

27. San Ber’dino  5:01

28. Black Napkins  9:19 

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